Plentitude,  potential and provence: Zola, art criticism and 'Le Semaphore de Marseille'

dc.contributor.author	Simpson, Juliet A.
dc.date.accessioned	2012-06-26T10:42:52Z
dc.date.available	2012-06-26T10:42:52Z
dc.date.issued	2012-06-26
dc.identifier.uri	http://hdl.handle.net/123456789/615
dc.description.abstract	Australian Journal of French Studies, 46(1), 111-125 2009	en_US
dc.subject	Australian Journal of French Studies	en_US
dc.subject	French	en_US
dc.subject	Australian	en_US
dc.subject	Le Semaphore de Marseille	en_US
dc.subject	Art criticism	en_US
dc.subject	Zola	en_US
dc.subject	Provence	en_US
dc.subject	Potential	en_US
dc.subject	Plentitude	en_US
dc.subject	Semaphore	en_US
dc.subject	Marseille	en_US
dc.subject	Art	en_US
dc.subject	Criticism	en_US
dc.subject	Vision	en_US
dc.subject	Ideological	en_US
dc.subject	Fiction	en_US
dc.subject	Context	en_US
dc.subject	Stimulus	en_US
dc.subject	France	en_US
dc.title	Plentitude, potential and provence: Zola, art criticism and 'Le Semaphore de Marseille'	en_US
dc.type	Article	en_US