Plentitude, potential and provence: Zola, art criticism and 'Le Semaphore de Marseille'

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dc.contributor.author Simpson, Juliet A.
dc.date.accessioned 2012-06-26T10:42:52Z
dc.date.available 2012-06-26T10:42:52Z
dc.date.issued 2012-06-26
dc.identifier.uri http://hdl.handle.net/123456789/615
dc.description.abstract Australian Journal of French Studies, 46(1), 111-125 2009 en_US
dc.subject Australian Journal of French Studies en_US
dc.subject French en_US
dc.subject Australian en_US
dc.subject Le Semaphore de Marseille en_US
dc.subject Art criticism en_US
dc.subject Zola en_US
dc.subject Provence en_US
dc.subject Potential en_US
dc.subject Plentitude en_US
dc.subject Semaphore en_US
dc.subject Marseille en_US
dc.subject Art en_US
dc.subject Criticism en_US
dc.subject Vision en_US
dc.subject Ideological en_US
dc.subject Fiction en_US
dc.subject Context en_US
dc.subject Stimulus en_US
dc.subject France en_US
dc.title Plentitude, potential and provence: Zola, art criticism and 'Le Semaphore de Marseille' en_US
dc.type Article en_US

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